Images

I. Christian Images
II. Old Testament Images
III. Idolatrous Pagan Images
IV. Images of Gnostics and Heretics
V. Artistic Images
VI. Image Made Without Hands

I. Christian Images

Fresco of the Virgin Mary with the Christ Child, dated from about AD 150 in the Catacomb of Priscilla on the Via Salaria in Rome.
“The Good Shepherd” fresco in the baptistry of Dura-Europos (AD 233-256), one of the earliest known Christian house churches. There is a small vignette of Adam and Eve in the lower left corner.
“Healing of the Paralytic” fresco in the baptistry of Dura-Europos (AD 233-256).
“Christ and Peter Walking in Water” fresco in the baptistry of Dura-Europos (AD 233-256).
“Samaritan Woman by the Well” fresco in the baptistry of Dura-Europos (AD 233-256).
“Women at the Tomb” fresco in the baptistry of Dura-Europos (AD 233-256).
Detail of “The Good Shepherd” fresco at Dura-Europos (AD 233-256)..
Third-century fresco from the Catacomb of Callixtus of Christ as the Good Shepherd.
A Eucharistic fresco from the third century in the Catacomb of Callixtus.
Fourth century wall painting of the Virgin and Child from the Roman Catacombs.
Late 4th century mural painting from the Commodilla Catacombs. Christ is depicted with a full beard and long hair. The symbols on either side are Alpha and Omega signifying “I am the beginning and the end.”

CLEMENT OF ALEXANDRIA: And let our seals [signet set in a ring] be either a dove, or a fish, or a ship scudding before the wind, or a musical lyre, which Polycrates used, or a ship’s anchor, which Seleucus got engraved as a device; and if there be one fishing, he will remember the apostle, and the children drawn out of the water. For we are not to delineate the faces of idols, we who are prohibited to cleave to them; nor a sword, nor a bow, following as we do, peace; nor drinking-cups, being temperate. The Instructor, bk. 3, chap. 11 (ANF 2.285-286).

TERTULLIAN: You shall have leave to begin with the parables, where you have the lost ewe re-sought by the Lord, and carried back on His shoulders. Let the very paintings upon your cups come forward to show whether even in them the figurative meaning of that sheep will shine through (the outward semblance, to teach) whether a Christian or heathen sinner be the object it aims at in the matter of restoration. For we put in a demurrer arising out of the teaching of nature, out of the law of ear and tongue, out of the soundness of the mental faculty, to the effect that such answers are always given as are called forth (by the question,—answers), that is, to the (questions) which call them forth. That which was calling forth (an answer in the present case) was, I take it, the fact that the Pharisees were muttering in indignation at the Lord’s admitting to His society heathen publicans and sinners, and communicating with them in food. When, in reply to this, the Lord had figured the restoration of the lost ewe, to whom else is it credible that he configured it but to the lost heathen, about whom the question was then in hand,—not about a Christian, who up to that time had no existence? Else, what kind of (hypothesis) is it that the Lord, like a quibbler in answering, omitting the present subject-matter which it was His duty to refute, should spend His labour about one yet future? “But a ‘sheep’ properly means a Christian,  and the Lord’s ‘flock’ is the people of the Church,  and the ‘good shepherd’ is Christ. On Modesty, chap. 7 (ANF 4.80).

EUSEBIUS OF CAESAREA: For they say that the woman with an issue of blood, who, as we learn from the sacred Gospel, received from our Savior deliverance from her affliction, came from this place, and that her house is shown in the city, and that remarkable memorials of the kindness of the Savior to her remain there.
For there stands upon an elevated stone, by the gates of her house, a brazen image of a woman kneeling, with her hands stretched out, as if she were praying. Opposite this is another upright image of a man, made of the same material, clothed decently in a double cloak, and extending his hand toward the woman. At his feet, beside the statue itself, is a certain strange plant, which climbs up to the hem of the brazen cloak, and is a remedy for all kinds of diseases.
They say that this statue is an image of Jesus. It has remained to our day, so that we ourselves also saw it when we were staying in the city.
Nor is it strange that those of the Gentiles who, of old, were benefited by our Savior, should have done such things, since we have learned also that the likenesses of his apostles Paul and Peter, and of Christ himself, are preserved in paintings, the ancients being accustomed, as it is likely, according to a habit of the Gentiles, to pay this kind of honor indiscriminately to those regarded by them as deliverers. The Church History, bk. 7, chap. 18 (NPNF-2 1.304).

II. Old Testament Images

ST. BARNABAS: Moses, when he commanded, “Ye shall not have any graven or molten [image] for your God,” did so that he might reveal a type of Jesus. Moses then makes a brazen serpent, and places it upon a beam, and by proclamation assembles the people. Epistle of Barnabas, chap. 12 (ANF 1.145).

CLEMENT OF ALEXANDRIA: It were tedious to go over all the Prophets and the Law, specifying what is spoken in enigmas; for almost the whole Scripture gives its utterances in this way. It may suffice, I think, for any one possessed of intelligence, for the proof of the point in hand, to select a few examples. . . .
And the things recorded of the sacred ark signify the properties of the world of thought, which is hidden and closed to the many. And those golden figures, each of them with six wings, signify either the two bears, as some will have it, or rather the two hemispheres. And the name cherubim meant “much knowledge.” But both together have twelve wings, and by the zodiac and time, which moves on it, point out the world of sense. It is of them, I think, that Tragedy, discoursing of Nature, says:—
“Unwearied Time circles full in perennial flow,
Producing itself. And the twin-bears
On the swift wandering motions of their wings,
Keep the Atlantean pole.”
And Atlas, the unsuffering pole, may mean the fixed sphere, or better perhaps, motionless eternity. But I think it better to regard the ark, so called from the Hebrew word Thebotha, as signifying something else. It is interpreted, one instead of one in all places. Whether, then, it is the eighth region and the world of thought, or God, all-embracing, and without shape, and invisible, that is indicated, we may for the present defer saying. But it signifies the repose which dwells with the adoring spirits, which are meant by the cherubim.
For He who prohibited the making of a graven image, would never Himself have made an image in the likeness of holy things. Nor is there at all any composite thing, and creature endowed with sensation, of the sort in heaven. But the face is a symbol of the rational soul, and the wings are the lofty ministers and energies of powers right and left; and the voice is delightsome glory in ceaseless contemplation. Let it suffice that the mystic interpretation has advanced so far. The Stromata, bk. 5, chap. 6 (ANF 2.452-453).

TERTULLIAN: In this matter we [Christians] are (said to be) guilty not merely of forsaking the religion of the community, but of introducing a monstrous superstition; for some among you have dreamed that our god is an ass’s head,—an absurdity which Cornelius Tacitus first suggested. In the fourth book of his histories, where he is treating of the Jewish war, he begins his description with the origin of that nation, and gives his own views respecting both the origin and the name of their religion. He relates that the Jews, in their migration in the desert, when suffering for want of water, escaped by following for guides some wild asses, which they supposed to be going in quest of water after pasture, and that on this account the image of one of these animals was worshipped by the Jews. From this, I suppose, it was presumed that we, too, from our close connection with the Jewish religion, have ours consecrated under the same emblematic form. The same Cornelius Tacitus, however,—who, to say the truth, is most loquacious in falsehood—forgetting his later statement, relates how Pompey the Great, after conquering the Jews and capturing Jerusalem, entered the temple, but found nothing in the shape of an image, though he examined the place carefully. Where, then, should their God have been found? Nowhere else, of course, than in so memorable a temple which was carefully shut to all but the priests, and into which there could be no fear of a stranger entering. Ad Nationes, bk. 1, chap. 11 (ANF 3.121).

TERTULLIAN: Well therefore does Peter, when recognizing the companions of his Christ in their indissoluble connection with Him, suggest an expedient: “It is good for us to be here” (good: that evidently means to be where Moses and Elias are); “and let us make three tabernacles, one for Thee, and one for Moses, and one for Elias. But he knew not what he said.” How knew not? Was his ignorance the result of simple error? Or was it on the principle which we maintain in the cause of the new prophecy [Montanism], that to grace ecstasy or rapture is incident. For when a man is rapt in the Spirit, especially when he beholds the glory of God, or when God speaks through him, he necessarily loses his sensation, because he is overshadowed with the power of God,—a point concerning which there is a question between us and the carnally-minded. Now, it is no difficult matter to prove the rapture of Peter. For how could he have known Moses and Elias, except (by being) in the Spirit? People could not have had their images, or statues, or likenesses; for that the law forbade. Against Marcion, bk. 4, chap. 22 (ANF 3.383).

ORIGEN: After this, wishing to prove that there is no difference between Jews and Christians, and those animals previously enumerated by him, he [Celsus, a pagan critic] asserts that the Jews were “fugitives from Egypt, who never performed anything worthy of note, and never were held in any reputation or account.”  Now, on the point of their not being fugitives, nor Egyptians, but Hebrews who settled in Egypt, we have spoken in the preceding pages. But if he thinks his statement, that “they were never held in any reputation or account,” to be proved, because no remarkable event in their history is found recorded by the Greeks, we would answer, that if one will examine their polity from its first beginning, and the arrangement of their laws, he will find that they were men who represented upon earth the shadow of a heavenly life, and that amongst them God is recognized as nothing else, save He who is over all things, and that amongst them no maker of images was permitted to enjoy the rights of citizenship.  For neither painter nor image-maker existed in their state, the law expelling all such from it; that there might be no pretext for the construction of images,—an art which attracts the attention of foolish men, and which drags down the eyes of the soul from God to earth.  There was, accordingly, amongst them a law to the following effect: “Do not transgress the law, and make to yourselves a graven image, any likeness of male or female; either a likeness of any one of the creatures that are upon the earth, or a likeness of any winged fowl that flies under the heaven, or a likeness of any creeping thing that creeps upon the earth, or a likeness of any of the fishes which are in the waters under the earth.”  The law, indeed, wished them to have regard to the truth of each individual thing, and not to form representations of things contrary to reality, feigning the appearance merely of what was really male or really female, or the nature of animals, or of birds, or of creeping things, or of fishes. Venerable, too, and grand was this prohibition of theirs: “Lift not up thine eyes unto heaven, lest, when thou seest the sun, and the moon, and the stars, and all the host of heaven, thou shouldst be led astray to worship them, and serve them.” Against Celsus, bk. 4 chap. 31 (ANF 4.511).

III. Idolatrous Pagan Images

ST JUSTIN MARTYR: And this is the sole accusation you bring against us, that we do not reverence the same gods as you do, nor offer to the dead libations and the savor of fat, and crowns for their statues, and sacrifices. For you very well know that the same animals are with some esteemed gods, with others wild beasts, and with others sacrificial victims. First Apology, chap. 24 (ANF 1.171).

ST ATHENAGORAS: But, since it is affirmed by some that, although these are only images, yet there exist gods in honor of whom they are made; and that the supplications and sacrifices presented to the images are to be referred to the gods, and are in fact made to the gods; and that there is not any other way of coming to them, for “’Tis hard for man To meet in presence visible a God;” and whereas, in proof that such is the fact, they adduce the energies possessed by certain images, let us examine into the power attached to their names. And I would beseech you, greatest of emperors, before I enter on this discussion, to be indulgent to me while I bring forward true considerations; for it is not my design to show the fallacy of idols, but, by disproving the calumnies vented against us, to offer a reason for the course of life we follow. A Plea for the Christians, chap. 18 (ANF 2.137).

CLEMENT OF ALEXANDRIA: If, in addition, I take and set before you for inspection these very images [of pagan gods], you will, as you go over them, find how truly silly is the custom in which you have been reared, of worshipping the senseless works of men’s hands. . . .
That of stones and stocks—and, to speak briefly, of dead matter—you have made images of human form, by which you have produced a counterfeit of piety, and slandered the truth, is now as clear as can be; but such proof as the point may demand must not be declined. . . .
But images, being motionless, inert, and senseless, are bound, nailed, glued,—are melted, filed, sawed, polished, carved. The senseless earth is dishonored by the makers of images, who change it by their art from its proper nature, and induce men to worship it; and the makers of gods worship not gods and demons, but in my view earth and art, which go to make up images. For, in sooth, the image is only dead matter shaped by the craftsman’s hand. But we have no sensible image of sensible matter, but an image that is perceived by the mind alone,—God, who alone is truly God.
And again, when involved in calamities, the superstitious worshippers of stones, though they have learned by the event that senseless matter is not to be worshipped, yet, yielding to the pressure of misfortune, become the victims of their superstition; and though despising the images, yet not wishing to appear wholly to neglect them, are found fault with by those gods by whose names the images are called. . . .
We must therefore approach as close as possible to the images. How peculiarly inherent deceit is in them, is manifest from their very look. For the forms of the images are plainly stamped with the characteristic nature of demons. If one go round and inspect the pictures and images, he will at a glance recognize your gods from their shameful forms. . . . So powerful is art to delude, by seducing amorous men into the pit. Art is powerful, but it cannot deceive reason, nor those who live agreeably to reason. . . . But it is with a different kind of spell that art deludes you, if it leads you not to the indulgence of amorous affections: it leads you to pay religious honor and worship to images and pictures. . . .
For we are expressly prohibited from exercising a deceptive art: “For thou shalt not make,” says the prophet, “the likeness of anything which is in heaven above or in the earth beneath.” For can we possibly any longer suppose the Demeter, and the Core, and the mystic Iacchus of Praxiteles, to be gods, and not rather regard the art of Leucippus, or the hands of Apelles, which clothed the material with the form of the divine glory, as having a better title to the honor? But while you bestow the greatest pains that the image may be fashioned with the most exquisite beauty possible, you exercise no care to guard against your becoming like images for stupidity. Accordingly, with the utmost clearness and brevity, the prophetic word condemns this practice: “For all the gods of the nations are the images of demons; but God made the heavens, and what is in heaven.” Some, however, who have fallen into error, I know not how, worship God’s work instead of God Himself,—the sun and the moon, and the rest of the starry choir,—absurdly imagining these, which are but instruments for measuring time, to be gods; “for by His word they were established, and all their host by the breath of His mouth.” Exhortation to the Heathen, chap. 4 (ANF 2.184-190).

CLEMENT OF ALEXANDRIA: But it is clear to every one that piety, which teaches to worship and honor, is the highest and oldest cause; and the Law itself exhibits justice, and teaches wisdom, by abstinence from sensible images, and by inviting to the Maker and Father of the universe. And from this sentiment, as from a fountain, all intelligence increases. “For the sacrifices of the wicked are abomination to the Lord; but the prayers of the upright are acceptable before Him,” since “righteousness is more acceptable before God than sacrifice.” The Stromata, bk. 2, chap. 18 (ANF 2.365).

CLEMENT OF ALEXANDRIA: “Don’t wear a ring, nor engrave on it the images of the gods,” enjoins Pythagoras; as Moses ages before enacted expressly, that neither a graven, nor molten, nor moulded, nor painted likeness should be made; so that we may not cleave to things of sense, but pass to intellectual objects: for familiarity with the sight disparages the reverence of what is divine; and to worship that which is immaterial by matter, is to dishonor it by sense. Therefore the wisest of the Egyptian priests decided that the temple of Athene should be hypaethral [having no roof, open to the sky], just as the Hebrews constructed the temple without an image. And some, in worshipping God, make a representation of heaven containing the stars; and so worship, although Scripture says, “Let Us make man in Our image and likeness.” The Stromata, bk. 5, chap. 5 (ANF 2.451). 

TERTULLIAN: But I pass from these remarks, for I know and I am going to show what your gods are not, by showing what they are. In reference, then, to these, I see only names of dead men of ancient times; I hear fabulous stories; I recognize sacred rites founded on mere myths. As to the actual images, I regard them as simply pieces of matter akin to the vessels and utensils in common use among us, or even undergoing in their consecration a hapless change from these useful articles at the hands of reckless art, which in the transforming process treats them with utter contempt, nay, in the very act commits sacrilege; so that it might be no slight solace to us in all our punishments, suffering as we do because of these same gods, that in their making they suffer as we do themselves. . . . In a word, if we refuse our homage to statues and frigid images, the very counterpart of their dead originals, with which hawks, and mice, and spiders are so well acquainted, does it not merit praise instead of penalty, that we have rejected what we have come to see is error? The Apology, chap. 11 (ANF 3.28-29).

TERTULLIAN: We know that the names of the dead are nothing, as are their images; but we know well enough, too, who, when images are set up, under these names carry on their wicked work, and exult in the homage rendered to them, and pretend to be divine—none other than spirits accursed, than devils. We see, therefore, that the arts also are consecrated to the service of the beings who dwell in the names of their founders; and that things cannot be held free from the taint of idolatry whose inventors have got a place among the gods for their discoveries. Nay, as regards the arts, we ought to have gone further back, and barred all further argument by the position that the demons, predetermining in their own interests from the first, among other evils of idolatry, the pollutions of the public shows, with the object of drawing man away from his Lord and binding him to their own service, carried out their purpose by bestowing on him the artistic gifts which the shows require. For none but themselves would have made provision and preparation for the objects they had in view; nor would they have given the arts to the world by any but those in whose names, and images, and histories they set up for their own ends the artifice of consecration. . . .
The ancients thought that in this solemnity they rendered offices to the dead. . . Offerings to propitiate the dead then were regarded as belonging to the class of funeral sacrifices; and these are idolatry: for idolatry, in fact, is a sort of homage to the departed; the one as well as the other is a service to dead men. Moreover, demons have abode in the images of the dead. . . .
We have, I think, faithfully carried out our plan of showing in how many different ways the sin of idolatry clings to the shows, in respect of their origins, their titles, their equipments, their places of celebration, their arts; and we may hold it as a thing beyond all doubt, that for us who have twice renounced all idols, they are utterly unsuitable. “Not that an idol is anything,” as the apostle says, but that the homage they render is to demons, who are the real occupants of these consecrated images, whether of dead men or (as they think) of gods. On this account, therefore, because they have a common source—for their dead and their deities are one—we abstain from both idolatries. Nor do we dislike the temples less than the monuments: we have nothing to do with either altar, we adore neither image; we do not offer sacrifices to the gods, and we make no funeral oblations to the departed; nay, we do not partake of what is offered either in the one case or the other, for we cannot partake of God’s feast and the feast of devils. The Shows, chaps. 10-13 (ANF 3.84-85).

TERTULLIAN: As to your charges of obstinacy and presumption, whatever you allege against us, even in these respects, there are not wanting points in which you will bear a comparison with us. Our first step in this contumacious conduct concerns that which is ranked by you immediately after the worship due to God, that is, the worship due to the majesty of the Caesars, in respect of which we are charged with being irreligious towards them, since we neither propitiate their images nor swear by their genius. Ad Nationes, bk. 1, chap. 17 (ANF 3.125).

ORIGEN: He [Celsus, a pagan critic] next imagines that, “in worshipping him who,” as he says, “was taken prisoner and put to death, we are acting like the Getae who worship Zamolxis, and the Cilicians who worship Mopsus, and the Acarnanians who pay divine honors to Amphilochus, and like the Thebans who do the same to Amphiaraus, and the Lebadians to Trophonius.” Now in these instances we shall prove that he has compared us to the foregoing without good grounds. For these different tribes erected temples and statues to those individuals above enumerated, whereas we have refrained from offering to the Divinity honor by any such means (seeing they are adapted rather to demons, which are somehow fixed in a certain place which they prefer to any other, or which take up their dwell ing, as it were, after being removed (from one place to another) by certain rites and incantations), and are lost in reverential wonder at Jesus, who has recalled our minds from all sensible things, as being not only corruptible, but destined to corruption, and elevated them to honor the God who is over all with prayers and a righteous life, which we offer to Him as being intermediate between the nature of the uncreated and that of all created things,  and who bestows upon us the benefits which come from the Father, and who as High Priest conveys our prayers to the supreme God. Against Celsus, bk. 2, chap. 34 (ANF 4.477-478).

ORIGEN: In designating others by the epithets of “uninstructed, and servile, and ignorant,” Celsus [a pagan critic], I suppose, means those who are not acquainted with his laws, nor trained in the branches of Greek learning; while we, on the other hand, deem those to be “uninstructed” who are not ashamed to address (supplications) to inanimate objects, and to call upon those for health that have no strength, and to ask the dead for life, and to entreat the helpless for assistance.  And although some may say that these objects are not gods, but only imitations and symbols of real divinities, nevertheless these very individuals, in imagining that the hands of low mechanics  can frame imitations of divinity, are “uninstructed, and servile, and ignorant;” for we assert that the lowest  among us have been set free from this ignorance and want of knowledge, while the most intelligent can understand and grasp the divine hope. Against Celsus, bk. 6, chap. 14 (ANF 4.579).

ORIGEN: God doubtless saw the pride and arrogance of those who, with contempt for all others, boast of their knowledge of God, and of their profound acquaintance with divine things obtained from philosophy, but who still, not less even than the most ignorant, run after their images, and temples, and famous mysteries; and seeing this, He “has chosen the foolish things of this world”—the simplest of Christians, who lead, however, a life of greater moderation and purity than many philosophers—“to confound the wise,” who are not ashamed to address inanimate things as gods or images of the gods. For what reasonable man can refrain from smiling when he sees that one who has learned from philosophy such profound and noble sentiments about God or the gods, turns straightway to images and offers to them his prayers, or imagines that by gazing upon these material things he can ascend from the visible symbol to that which is spiritual and immaterial. Against Celsus, bk. 7, chap. 44 (ANF 4.629).

ORIGEN: Let us now see what follows. “Let us pass on,” says he [Celsus, a pagan critic], “to another point. They [Christians] cannot tolerate temples, altars, or images. In this they are like the Scythians, the nomadic tribes of Libya, the Seres who worship no god, and some other of the most barbarous and impious nations in the world. That the Persians hold the same notions is shown by Herodotus in these words: ‘I know that among the Persians it is considered unlawful to erect images, altars, or temples; but they charge those with folly who do so, because, as I conjecture, they do not, like the Greeks, suppose the gods to be of the nature of men.’  Heraclitus also says in one place: ‘Persons who address prayers to these images act like those who speak to the walls, without knowing who the gods or the heroes are.’ And what wiser lesson have they to teach us than Heraclitus? He certainly plainly enough implies that it is a foolish thing for a man to offer prayers to images, whilst he knows not who the gods and heroes are. This is the opinion of Heraclitus; but as for them, they go further, and despise without exception all images. If they merely mean that the stone, wood, brass, or gold which has been wrought by this or that workman cannot be a god, they are ridiculous with their wisdom. For who, unless he be utterly childish in his simplicity, can take these for gods, and not for offerings consecrated to the service of the gods, or images representing them? But if we are not to regard these as representing the Divine Being, seeing that God has a different form, as the Persians concur with them in saying, then let them take care that they do not contradict themselves; for they say that God made man His own image, and that He gave him a form like to Himself. However, they will admit that these images, whether they are like or not, are made and dedicated to the honor of certain beings. But they will hold that the beings to whom they are dedicated are not gods, but demons, and that a worshipper of God ought not to worship demons.”
To this our answer is, that if the Scythians, the nomadic tribes of Libya, the Seres, who according to Celsus have no god, if those other most barbarous and impious nations in the world, and if the Persians even cannot bear the sight of temples, altars, and images, it does not follow because we cannot suffer them any more than they, that the grounds on which we object to them are the same as theirs. We must inquire into the principles on which the objection to temples and images is founded, in order that we may approve of those who object on sound principles, and condemn those whose principles are false. For one and the same thing may be done for different reasons. For example, the philosophers who follow Zeno of Citium abstain from committing adultery, the followers of Epicurus do so too, as well as others again who do so on no philosophical principles; but observe what different reasons determine the conduct of these different classes. . . .
As, then, this act of self-restraint, which in appearance is one and the same, is found in fact to be different in different persons, according to the principles and motives which lead to it; so in the same way with those who cannot allow in the worship of the Divine Being altars, or temples, or images. The Scythians, the Nomadic Libyans, the godless Seres, and the Persians, agree in this with the Christians and Jews, but they are actuated by very different principles. For none of these former abhor altars and images on the ground that they are afraid of degrading the worship of God, and reducing it to the worship of material things wrought by the hands of men.  Neither do they object to them from a belief that the demons choose certain forms and places, whether because they are detained there by virtue of certain charms, or because for some other possible reason they have selected these haunts, where they may pursue their criminal pleasures, in partaking of the smoke of sacrificial victims. But Christians and Jews have regard to this command, “Thou shalt fear the Lord thy God, and serve Him alone;”  and this other, “Thou shalt have no other gods before Me: thou shalt not make unto thee any graven image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth: thou shalt not bow down thyself to them, nor serve them;”  and again, “Thou shalt worship the Lord thy God, and Him only shalt thou serve.”  It is in consideration of these and many other such commands, that they not only avoid temples, altars, and images, but are ready to suffer death when it is necessary, rather than debase by any such impiety the conception which they have of the Most High God.
In regard to the Persians, we have already said that though they do not build temples, yet they worship the sun and the other works of God. . . . Let this suffice, in addition to what we have already said of the Persians, who abhor altars and images, but who serve the creature instead of the Creator. As to the passage quoted by Celsus from Heraclitus, the purport of which he represents as being, “that it is childish folly for one to offer prayers to images, whilst he knows not who the gods and heroes are,” we may reply that it is easy to know that God and the Only-begotten Son of God, and those whom God has honored with the title of God, and who partake of His divine nature, are very different from all the gods of the nations which are demons; but it is not possible at the same time to know God and to address prayers to images.
And the charge of folly applies not only to those who offer prayers to images, but also to such as pretend to do so in compliance with the example of the multitude: and to this class belong the Peripatetic philosophers and the followers of Epicurus and Democritus. For there is no falsehood or pretense in the soul which is possessed with true piety towards God. Another reason also why we abstain from doing honor to images, is that we may give no support to the notion that the images are gods. It is on this ground that we condemn Celsus, and all others who, while admitting that they are not gods, yet, with the reputation of being wise men, render to them what passes for homage. In this way they lead into sin the multitude who follow their example, and who worship these images not simply out of deference to custom, but from a belief into which they have fallen that they are true gods, and that those are not to be listened to who hold that the objects of their worship are not true gods. Celsus, indeed, says that “they do not take them for gods, but only as offerings dedicated to the gods.” But he does not prove that they are not rather dedicated to men than, as he says, to the honor of the gods themselves; for it is clear that they are the offerings of men who were in error in their views of the Divine Being. Moreover, we do not imagine that these images are representations of God, for they cannot represent a being who is invisible and incorporeal.  But as Celsus supposes that we fall into a contradiction, whilst on the one hand we say that God has not a human form, and on the other we profess to believe that God made man the image of Himself, and created man the image of God; our answer is the same as has been given already, that we hold the resemblance to God to be preserved in the reasonable soul, which is formed to virtue, although Celsus, who does not see the difference between “being the image of God,” and “being created after the image of God,” pretends that we said, “God made man His own image, and gave him a form like to His own.” But this also has been examined before.
His next remark upon the Christians is: “They will admit that these images, whether they are like or not, are made and dedicated to the honor of certain beings; but they will hold that the beings to whom they are dedicated are not gods, but demons, and that a worshipper of God ought not to worship demons.” If he had been acquainted with the nature of demons, and with their several operations, whether led on to them by the conjurations of those who are skilled in the art, or urged on by their own inclination to act according to their power and inclination; if, I say, he had thoroughly understood this subject, which is both wide in extent and difficult for human comprehension, he would not have condemned us for saying that those who worship the Supreme Being should not serve demons.  . . .
Hence we are determined to avoid the worship of demons even as we would avoid death; and we hold that the worship, which is supposed among the Greeks to be rendered to gods at the altars, and images, and temples, is in reality offered to demons. . . .
To explain this fully, and to justify the conduct of the Christians in refusing homage to any object except the Most High God, and the First-born of all creation, who is His Word and God, we must quote this from Scripture, “All that ever came before Me are thieves and robbers: but the sheep did not hear them;” and again, “The thief cometh not, but for to steal, and to kill, and to destroy;” and other similar passages, as, “Behold, I have given you authority to tread on serpents and scorpions, and over all the power of the enemy: and nothing shall by any means hurt you;”  and again, “Thou shalt tread upon the lion and adder: the young lion and the dragon shalt thou trample under feet.”  Against Celsus, bk 7, chaps. 62-67, 69, 70 (ANF 4.635-638).

ST. CYPRIAN: You neither worship God, nor do you at all permit Him to be worshipped; and while others who venerate not only those foolish idols and images made by man’s hands, but even portents and monsters besides, are pleasing to you, it is only the worshipper of God who is displeasing to you. An Address to Demetrianus, chap. 16 (ANF 5.461).

ST. CYPRIAN: That those are no gods whom the common people worship, is known from this. They were formerly kings, who on account of their royal memory subsequently began to be adored by their people even in death. Thence temples were founded to them; thence images were sculptured to retain the countenances of the deceased by the likeness; and men sacrificed victims, and celebrated festal days, by way of giving them honor. On the Vanity of Idols, chap. 1 (ANF 5.465).

LACTANTIUS: What madness is it, then, either to form those objects which they themselves may afterwards fear, or to fear the things which they have formed? But, they say, we do not fear the images themselves, but those beings after whose likeness they were formed, and to whose names they are dedicated. You fear them doubtless on this account, because you think that they are in heaven; for if they are gods, the case cannot be otherwise. Why, then, do you not raise your eyes to heaven, and, invoking their names, offer sacrifices in the open air? Why do you look to walls, and wood, and stone, rather than to the place where you believe them to be? What is the meaning of temples and altars? what, in short, of the images themselves, which are memorials either of the dead or absent? For the plan of making likenesses was invented by men for this reason, that it might be possible to retain the memory of those who had either been removed by death or separated by absence. In which of these classes, then, shall we reckon the gods? If among the dead, who is so foolish as to worship them? If among the absent, then they are not to be worshipped, if they neither see our actions nor hear our prayers. But if the gods cannot be absent,—for, since they are divine, they see and hear all things, in whatever part of the universe they are,—it follows that images are superfluous, since the gods are present everywhere, and it is sufficient to invoke with prayer the names of those who hear us. But if they are present, they cannot fail to be at hand at their own images. It is entirely so, as the people imagine, that the spirits of the dead wander about the tombs and relics of their bodies. But after that the deity has begun to be near, there is no longer need of his statue.
For I ask, if any one should often contemplate the likeness of a man who has settled in a foreign land, that he may thus solace himself for him who is absent, would he also appear to be of sound mind, if, when the other had returned and was present, he should persevere in contemplating the likeness, and should prefer the enjoyment of it, rather than the sight of the man himself? Assuredly not. For the likeness of a man appears to be necessary at that time when he is far away; and it will become superfluous when he is at hand. But in the case of God, whose spirit and influence are diffused everywhere, and can never be absent, it is plain that an image is always superfluous. But they fear lest their religion should be altogether vain and empty if they should see nothing present which they may adore, and therefore they. set up images; and since these are representations of the dead, they resemble the dead, for they are entirely destitute of perception. But the image of the ever-living God ought to be living and endued with perception. But if it received this name from resemblance, how can it be supposed that these images resemble God, which have neither perception nor motion? Therefore the image of God is not that which is fashioned by the fingers of men out of stone, or bronze, or other material, but man himself, since he has both perception and motion, and performs many and great actions. Nor do the foolish men understand, that if images could exercise perception and motion, they would of their own accord adore men, by whom they have been adorned and embellished, since they would be either rough and unpolished stone, or rude and unshapen wood, had they not been fashioned by man.
Man, therefore, is to be regarded as the parent of these images; for they were produced by his instrumentality, and through him they first had shape, figure, and beauty. Therefore he who made them is superior to the objects which were made. And yet no one looks up to the Maker Himself, or reverences Him: he fears the things which he has made, as though there could be more power in the work than in the workman. Seneca, therefore, rightly says in his moral treatises: They worship the images of the gods, they supplicate them with bended knee, they adore them, they sit or stand beside them through the whole day, they offer to them contributions, they slay victims; and while they value these images so highly, they despise the artificers who made them. What is so inconsistent, as to despise the statuary and to adore the statue; and not even to admit to your society him who makes your gods? What force, what power can they have, when he who made them has none? But he was unable to give to these even those powers which he had, the power of sight, of hearing, of speech, and of motion. Is any one so foolish as to suppose that there is anything in the image of a god, in which there is nothing even of a man except the mere resemblance? But no one considers these things; for men are imbued with this persuasion, and their minds have thoroughly imbibed the deception of folly. The Divine Institutes, bk. 2, chap. 2 (ANF 7.41-42).

LACTANTIUS: How much better, therefore, is it, leaving vain and insensible objects, to turn our eyes in that direction where is the seat and dwelling-place of the true God; who suspended the earth on a firm foundation, who bespangled the heaven with shining stars; who lighted up the sun, the most bright and matchless light for the affairs of men, in proof of His own single majesty; who girded the earth with seas, and ordered the rivers to flow with perpetual course! The Divine Institutes, bk. 2, chap. 5 (ANF 7.47).

LACTANTIUS: That also is wonderful, that the statue of Fortune, in the form of a woman, is reported to have spoken more than once; also that the statue of Juno Moneta, when, on the capture of Veii, one of the soldiers, being sent to remove it, sportively and in jest asked whether she wished to remove to Rome, answered that she wished it. Claudia also is set forth as an example of a miracle. For when, in accordance with the Sibylline books, the Idaean mother was sent for, and the ship in which she was conveyed had grounded on a shoal of the river Tiber, and could not be moved by any force, they report that Claudia, who had been always regarded as unchaste on account of her excess in personal adornment, with bended knees entreated the goddess, if she judged her to be chaste, to follow her girdle; and thus the ship, which could not be moved by all the strong men,190 was moved by a single woman. It is equally wonderful, that during the prevalence of a pestilence, Aesculapius, being called from Epidaurus, is said to have released the city of Rome from the long-continued plague. The Divine Institutes, bk. 2, chap. 8 (ANF 5.51-52).

LACTANTIUS: I have shown that the religious rites of the gods are vain in a threefold manner: In the first place, because those images which are worshipped are representations of men who are dead; and that is a wrong and inconsistent thing, that the image of a man should be worshipped by the image of God, for that which worships is lower and weaker than that which is worshipped: then that it is an inexpiable crime to desert the living in order that you may serve memorials of the dead, who can neither give life nor light to any one, for they are themselves without it: and that there is no other God but one, to whose judgment and power every soul is subject. In the second place, that the sacred images themselves, to which most senseless men do service, are destitute of all perception, since they are earth. But who cannot understand that it is unlawful for an upright animal to bend itself that it may adore the earth? which is placed beneath our feet for this purpose, that it may be trodden upon, and not adored by us, who have been raised from it, and have received an elevated position beyond the other living creatures, that we may not turn ourselves again downward, nor cast this heavenly countenance to the earth, but may direct our eyes to that quarter to which the condition of their nature has directed, and that we may adore and worship nothing except the single deity of our only Creator and Father, who made man of an erect figure, that we may know that we are called forth to high and heavenly things. In the third place, because the spirits which preside over the religious rites themselves, being condemned and cast off by God, wallow over the earth, who not only are unable to afford any advantage to their worshippers, since the power of all things is in the hands of one alone, but even destroy them with deadly attractions and errors; since this is their daily business, to involve men in darkness, that the true God may not be sought by them. Therefore they are not to be worshipped, because they lie under the sentence of God. For it is a very great crime to devote one’s self to the power of those whom, if you follow righteousness, you are able to excel in power, and to drive out and put to flight by adjuration of the divine name. But if it appears that these religious rites are vain in so many ways as I have shown, it is manifest that those who either make prayers to the dead, or venerate the earth, or make over their souls to unclean spirits, do not act as becomes men, and that they will suffer punishment for their impiety and guilt, who, rebelling against God, the Father of the human race, have undertaken inexpiable rites, and violated every sacred law.
Whoever, therefore, is anxious to observe the obligations to which man is liable, and to maintain a regard for his nature, let him raise himself from the ground, and, with mind lifted up, let him direct his eyes to heaven: let him not seek God under his feet, nor dig up from his footprints an object of veneration, for whatever lies beneath man must necessarily be inferior to man; but let him seek it aloft, let him seek it in the highest place: for nothing can be greater than man, except that which is above man. But God is greater than man: therefore He is above, and not below; nor is He to be sought in the lowest, but rather in the highest region. Wherefore it is undoubted that there is no religion wherever there is an image. For if religion consists of divine things, and there is nothing divine except in heavenly things; it follows that images are without religion, because there can be nothing heavenly in that which is made from the earth. And this, indeed, may be plain to a wise man from the very name. For whatever is an imitation, that must of necessity be false; nor can anything receive the name of a true object which counterfeits the truth by deception and imitation. But if all imitation is not particularly a serious matter, but as it were a sport and jest, then there is no religion in images, but a mimicry of religion. The Divine Institutes, bk. 2, chaps. 13-14 (ANF 7.67-68).

PHOTIUS: There was read a book by Pierius the presbyter, who, they say, endured the conflict for Christ, along with his brother Isidorus. And he is reputed to have been the teacher of the martyr Pamphilus in ecclesiastical studies, and to have been president of the school at Alexandria. The work contained twelve books. . . . And he expresses his opinion on many things outside what is now established in the Church, perhaps in an antique manner.  . . . He has a passage also in the book entitled, On the Gospel according to Luke, from which it is possible to show that the honor or dishonor of the image is also the honor or dishonor of the original. And, again, he indulges in some obscure speculations, after the manner of the nonsense of Origen, on the subject of the “pre-existence of souls.” And also in the book on the Passover (Easter) and on Hosea, he treats both of the cherubim made by Moses, and of the pillar of Jacob, in which passages he admits the actual construction of those things, but propounds the foolish theory that they were given economically, and that they were in no respect like other things which are made; inasmuch as they bore the likeness of no other form, but had only, as he foolishly says, the appearance of wings. Pierius (c. 275), as cited by Photius (c. 850), (ANF 6.157).

IV. Images of Gnostics and Heretics

ST IRENAEUS: They call themselves Gnostics. They also possess images, some of them painted, and others formed from different kinds of material. They maintain that a likeness of Christ was made by Pilate at that time when Jesus lived among them. They crown these images, and set them up along with the images of the philosophers of the world. That is to say, they place them with the images of Pythagoras, Plato, Aristotle, and the rest. They have also other modes of honoring these images, after the same manner of the Gentiles. Against Heresies, bk. 1, chap. 25.6 (ANF 1.351).

TERTULLIAN: [Hermogenes the heretic] despises God’s law in his painting, maintaining repeated marriages, alleges the law of God in defense of lust, and yet despises it in respect of his art. Against Hermogenes, chap. 1 (ANF 3.477).

ST. HIPPOLYTUS: Certain, likewise, of these (heretics) [Carpocratians] brand their own disciples in the back parts of the lobe of the right ear. And they make counterfeit images of Christ, alleging that these were in existence at the time (during which our Lord was on earth, and that they were fashioned) by Pilate. Refutation of all Heresies, bk. 7, Chap. 20 (ANF 5.114).

I. Artistic Images

CLEMENT OF ALEXANDRIA: For is it not the case that rightly and truly we do not circumscribe in any place that which cannot be circumscribed; nor do we shut up in temples made with hands that which contains all things? What work of builders, and stonecutters, and mechanical art can be holy? Superior to these are not they who think that the air, and the enclosing space, or rather the whole world and the universe, are meet for the excellency of God?
It were indeed ridiculous, as the philosophers themselves say, for man, the plaything of God, to make God, and for God to be the plaything of art; since what is made is similar and the same to that of which it is made, as that which is made of ivory is ivory, and that which is made of gold golden. Now the images and temples constructed by mechanics are made of inert matter; so that they too are inert, and material, and profane; and if you perfect the art, they partake of mechanical coarseness. Works of art cannot then be sacred and divine. . . .
But how can He, to whom the things that are belong, need anything? But were God possessed of a human form, He would need, equally with man, food, and shelter, and house, and the attendant incidents. Those who are like in form and affections will require similar sustenance. And if sacred has a twofold application, designating both God Himself and the structure raised to His honor, how shall we not with propriety call the Church holy, through knowledge, made for the honor of God, sacred to God, of great value, and not constructed by mechanical art, nor embellished by the hand of an impostor, but by the will of God fashioned into a temple? For it is not now the place, but the assemblage of the elect, that I call the Church. This temple is better for the reception of the greatness of the dignity of God. For the living creature which is of high value, is made sacred by that which is worth all, or rather which has no equivalent, in virtue of the exceeding sanctity of the latter. Now this is the Gnostic, who is of great value, who is honored by God, in whom God is enshrined, that is, the knowledge respecting God is consecrated. Here, too, we shall find the divine likeness and the holy image in the righteous soul, when it is blessed in being purified and performing blessed deeds. Here also we shall find that which is localized, and that which is being localized,—the former in the case of those who are already Gnostics, and the latter in the case of those capable of becoming so, although not yet worthy of receiving the knowledge of God. For every being destined to believe is already faithful in the sight of God, and set up for His honor, an image, endowed with virtue, dedicated to God. The Stromata, bk. 7, chap. 5 (ANF 2.530-531).

VI. Image Made Without Hands

ADDAI THE APOSTLE: When Hannan, the keeper of the archives, saw that Jesus spoke thus to him, by virtue of being the king’s painter, he took and painted a likeness of Jesus with choice paints, and brought with him to Abgar the king, his master. And when Abgar the king saw the likeness, he received it with great joy, and placed it with great honor in one of his palatial houses. The Doctrine of Addai, the Apostle (1876). Transcribed by Roger Pearse (Ipswich, UK, 2002).

EVAGRIUS SCHOLASTICUS: The same Procopius narrates what the ancients had recorded concerning Edessa and Abgarus, and how Christ wrote a letter to him. He then relates how Chosroes made a fresh movement to lay siege to the city, thinking to falsify the assertion prevalent among the faithful, that Edessa would never fall into the power of an enemy: which assertion, however, is not contained in what was written to Abgarus by Christ our God; as the studious may gather from the history of Eusebius Pamphili, who cites the epistle verbatim. Such, however, is the averment and belief of the faithful; which was then realised, faith bringing about the accomplishment of the prediction. For after Chosroes had made many assaults on the city, had raised a mound of sufficient size to overtop the walls of the town, and had devised innumerable expedients beside, he raised the siege and retreated. I will, however, detail the particulars. Chosroes ordered his troops to collect a great quantity of wood for the siege from whatever timber fell in their way; and when this had been done before the order could well be issued, arranging it in a circular form, he threw a mound inside with its face advancing against the city. In this way elevating it gradually with the timber and earth, and pushing it forward towards the town, he raised it to a height sufficient to overtop the wall, so that the besiegers could hurl their missiles from vantage ground against the defenders. When the besiegers saw the mound approaching the walls like a moving mountain, and the enemy in expectation of stepping into the town at day-break, they devised to run a mine under the mound–which the Latins term “aggestus”–and by that means apply fire, so that the combustion of the timber might cause the downfall of the mound. The mine was completed; but they failed in attempting to fire the wood, because the fire, having no exit whence it could obtain a supply of air, was unable to take hold of it. In this state of utter perplexity, they bring the divinely wrought image, which the hands of men did not form, but Christ our God sent to Abgarus on his desiring to see Him. Accordingly, having introduced this holy image into the mine, and washed it over with water, they sprinkled some upon the timber; and the divine power forthwith being present to the faith of those who had so done, the result was accomplished which had previously been impossible: for the timber immediately caught the flame, and being in an instant reduced to cinders, communicated with that above, and the fire spread in all directions. When the besieged saw the smoke rising, they adopted the following contrivance. Having filled small jars with sulphur, tow, and other combustibles, they threw them upon the aggestus ; and these, sending forth srnoke as the fire was increased by the force of their flight, prevented that which was rising from the mound from being observed ; so that all who were not in the secret, supposed that the smoke proceeded solely from the jars. On the third day the flames were seen issuing from the earth, and then the Persians on the mound became aware of their unfortunate situation. But Chosroes, as if in opposition to the power of heaven, endeavoured to extinguish the pile, by turning all the water-courses which were outside the city upon it. The fire, however, receiving the water as if it had been oil or sulphur, or some other combustible, continually increased, until it had completely levelled the entire mound and reduced the aggestus to ashes. Then Chosroes, in utter despair, impressed by the circumstances with a sense of his disgraceful folly in having entertained an idea of prevailing over the God whom we worship, retreated ingloriously into his own territories. Ecclesiastical History, translated by E. Walford (1846), bk. 4, chap. 27.

ST JOHN OF DAMASCUS: A tradition has come down to us that Angaros, King of Edessa, was drawn vehemently to divine love by hearing of our Lord, and that he sent envoys to ask for His likeness. If this were refused, they were ordered to have a likeness painted. Then He, who is all-knowing and all-powerful, is said to have taken a strip of cloth, and pressing it to His face, to have left His likeness upon the cloth, which it retains to this day. On Holy Images, tr. Mary H. Allies (1898), 33.

While it was yet hardly light, the prefect, together with chief commanders . . . came to the church in Nicomedia. The gates having been forced open, they searched everywhere for an image of the Divinity. However, the books of the Holy Scriptures were found, and they were committed to the flames. The utensils and furniture of the church were abandoned to pillage. Lactantius (c. 320, W), 7.305.

You say that we rear no temples to [the gods] and do not worship their images. . . . Well, what greater honor or dignity could we ascribe to them than that we put them in the same position as the Head and Lord of the universe! . . . Do we honor him with shrines and by building temples? Arnobius (c. 305, E), 6.507.

Do you perhaps say that under these images of deities there is displayed to you their presence, as it were? That because it has not been give you to see the gods, they are worshipped in this manner and the duties owed to them are paid? A person who says and asserts this does not believe that the gods exist. And he is proved not to put faith in his own religion, to whom it is necessary to see what he may hold. Arnobius (c. 305, E), 6.509.

You [pagans] say, “But you err and are mistaken. For we do not consider either copper, gold, silver, or those other materials of which statues are made to be in themselves gods and sacred deities. Rather, in them we worship and venerate those beings whom their dedication as sacred items cause to dwell in those statues made by workmen.” Arnobius (c. 305, E), 6.514.

The advocates of images are accustomed to saying that the ancients knew well that images have no divine nature and that there is no sense in them. Yet, they say that they still formed them profitably and wisely, for the sake of the unmanageable and ignorant crowds. This was so that . . . they might from fear shake off their crude natures, supposing that they were acting in the presence of the gods. Arnobius (c. 305, E), 6.516.

It has been sufficiently shown . . . how vain it is to form images. Arnobius (c. 305, E), 6.518.

 

Montanist Tertullian, AD 215,
“Idol-artificers [i.e. iconographers] are chosen even into the ecclesiastical order.” (On Idolatry, Chapter VII)

Athanasius, AD 345
“We, who are of the faithful, do not worship images as gods, as the heathens did – God forbid – but we mark our loving desire alone to see the face of the person represented in the image. Hence, when it is obliterated, we are accustomed to throw the image as so much wood into the fire. Jacob, when he was about to die, worshiped on the point of Joseph’s staff, not honoring the staff but its owner. In the same way do we greet images, just as we would embrace our children or parents to signify our affection.”
(The Hundred Chapters, Chapter XXXVIII)

[Another translation:]

“We, the faithful, do not worship the icons as gods. By no means as the pagans, rather we are simply expressing our relation to, and the feeling of our love toward, the person whose image is depicted in the icon. Hence, frequently when the image has faded, we burn it in fire, then as plain wood, that which previously was an icon. Just as Jacob, when dying, bowed in worship over the head of the staff of Joseph [cf. Heb. 11:21] not honoring the staff, but him to whom it belonged, in the same manner the faithful, for no other reason, venerate [kiss] the icons, just as we often kiss our children, so that we may plainly express the affection [we feel] in our soul. For it is just as the Jew once worshipped the tablets of the Law and the two golden sculptured Cherubims not to honor the nature of the stone and gold, but the Lord who had given them” (39th Question to Antiochos, PG 94.1365.)

Basil, AD 360
“The honor given to the image is transferred to its prototype.”
(Letters on the Holy Spirit, Chapter XVIII)

Basil, AD 360
“According to the blameless faith of the Christians which we have obtained from God, I confess and agree that I believe in one God the Father Almighty; God the Father, God the Son, God the Holy Ghost; I adore and worship one God, the Three. I confess to the œconomy of the Son in the flesh, and that the holy Mary, who gave birth to Him according to the flesh, was Mother of God. I acknowledge also the holy apostles, prophets, and martyrs; and I invoke them to supplication to God, that through them, that is, through their mediation, the merciful God may be propitious to me, and that a ransom may be made and given me for my sins. Wherefore also I honour and kiss the features of their images, inasmuch as they have been handed down from the holy apostles, and are not forbidden, but are in all our churches.” (Letter 360)

Gregory of Nyssa, AD 395
“Then the father [Abraham] proceeds to bind his son [Isaac]. I have often seen paintings of this touching scene, and could not refrain from shedding tears, so vivid was the scene reproduced by the artist.” (Sermon on the Divinity of the Son and the Spirit, and on Abraham)

Ambrose of Milan, AD 397
“But I was caught up into ecstasy during which a face was revealed to me, which resembled the blessed Apostle Paul, the same face which was painted on the iconwhich showed him teaching so wisely.” (Epistle to the Italians)

John Chrysostom, AD 407
“Not only do you long to call fervently upon His Holy Name; but also to look upon the image of His bodily form. What you do with His Name, you also accomplish with His image. For everyone rejoices to put His image everywhere, on rings, goblets, dishes, and on bedroom walls.” (Sermon Concerning the Old and New Testament, and on the Garments of the Priests)

Gregory the Great, AD 600
“Furthermore we notify to you that it has come to our ears that your Fraternity, seeing certain worshipers of images, broke and threw down these same images in Churches. And we commend you indeed for your zeal against anything made with hands being an object of worship; but we signify to you that you should not have broken these images. For pictorial representation is made use of in Churches for this reason; that those who are illiterate may at least understand by looking at the walls what they cannot read in books. Your Fraternity therefore should have both preserved the images and prohibited the people from worshiping them, to the end that both those who are illiterate might have wherewith to gather a knowledge of the history, and that the people might by no means sin by the worship of a pictorial representation.” (Epistles, Book IX)

John of Damascus, AD 730
“Possibly a contentious unbeliever will maintain that we worshiping images in our churches are convicted of praying to lifeless idols. Far be it from us to do this. Faith makes Christians, and God, who cannot deceive, works miracles. We do not rest contented with mere colouring. With the material picture before our eyes we see the invisible God through the visible representation, and glorify Him as if present, not as a God without reality, but as a God who is the essence of being. Nor are the saints whom we glorify fictitious. They are in being, and are living with God; and their spirits being holy, the help, by the power of God, those who deserve and need their assistance.” (Treatise on Images)

John of Damascus, AD 730
“I do not worship matter, I worship the Creator of matter, Who became matter for my sake, Who willed to take His Abode in matter; Who worked out my salvation through matter. Never will I cease honoring the matter which wrought my salvation. I honor it, but not as God.” (On the Divine Images)

John of Damascus, AD 730
“You see, how it was on account of idolatry that he prohibited the fashioning of images, and that it is impossible to depict God who is incomprehensible and uncircumscribable. “For,” it says, “you have not seen his form,” just as also Paul, standing in the midst of the Areopagus, said, “Being then God’s offspring, we ought not to think of the divine like gold, or silver, or stone, a representation of human imagination.”
It was, therefore, for the Jews, on account of their sliding into idolatry that these things were ordained by law. To speak theologically (that is, to speak in the manner of St. Gregory the Theologian), however, we, to whom it has been granted, fleeing superstitious error, to come to be purely with God, and having recognized the truth, to worship God alone and be greatly enriched with perfection of the knowledge of God, and who, passing beyond childhood to maturity, are no longer under a custodian, have received the habit of discrimination from God and know what can be depicted and what cannot be delineated by an image. “For,” it says, “you have not seen his form.” What wisdom this legislator has! How could the invisible be depicted? How could the unimaginable be portrayed? How could one without measure or size or limit be drawn? How could the formless be made? How could the bodiless be depicted with color? What is this that has been revealed in riddles? For it is clear that when you see the bodiless become human for your sake, then you may accomplish the figure of a human form; when the invisible becomes visible in the flesh, then you may depict the likeness of something seen; when one who, by transcending his own nature, is bodiless, formless, incommensurable, without magnitude or size, that is, one who is in the form of God, taking the form of a slave, by this reduction to quantity and magnitude puts on the characteristics of a body, then depict him on a board and set up to view the One who has accepted to be seen. Depict his ineffable descent, his birth from the Virgin, his being baptized in the Jordan, his transfiguration on Tabor, what he endured to secure our freedom from passion, the miracles, symbols of his divine nature, performed by the divine activity through the activity of the flesh, the saving cross, the tomb, the resurrection, the ascent into heaven. Depict all these in words and colors.” (Three Treatises On the Divine Images, Treatise I, Chapters 7-8)

John of Damascus, 730
“Veneration (bowing down) is a symbol of submission and honor. And we know different forms of this. The first form is of worship, which we offer to God, alone by nature worthy of veneration (Galatians 4:8). Then there is veneration offered, on account of God who is naturally venerated, to his friends and servants, as Joshua son of Nave and Daniel venerated the angel; or to the places of God, as David said, “Let us venerate in this place, where his feet stood” (Psalm 131:7, LXX); or to things sacred to Him, as Israel venerated the tabernacle and the temple in Jerusalem standing in a circle around it, and then from everywhere bowing in veneration towards it, as they still do now, or to those rulers who had been ordained by Him, as Jacob venerated Esau, made by God the elder-born brother, or Pharaoh, appointed by God his ruler, and his brothers venerated Joseph (Genesis 42:6). And I know that such veneration is offered to others as a mark of honor, as Abraham venerated the sons of Emmor. Either, therefore, reject all veneration or accept all of these forms with its proper reason and manner.” (On the Divine Images, Treatise I, Chapter XIV)

John of Damascus
“When thoughts are choking me like so many thorns, I enter the church, the hospital of souls. The beauty of the icons delight my vision like a verdant meadow, and without my noticing it stirs my soul to praise God.”

John of Damascus, AD 730
“Jacob bowed to the ground before Esau, his brother, and also before the tip of his son Joseph’s staff. He bowed down, but he did not adore. Joshua, the son of Nun, and Daniel bowed down in veneration of an angel of God, but they did not adore him.” (On the Divine Images, Chapter XIX)

Seventh Ecumenical Council, AD 786
“We, therefore, following the royal pathway and the divinely inspired authority of our Holy Fathers and the Traditions of the Church (for, as we all know, the Holy Spirit indwells her), define with all certainty and accuracy that just as the figure of the precious and life-giving Cross, so also the venerable and holy images, as well in paintings and mosaic as of other fit materials, should be set forth in the holy Churches of God, and on the sacred vessels and on the vestments and on hangings and in pictures both in houses and by the wayside, to wit, the figure of our Lord God and Savior Jesus Christ, of our spotless Lady, of the honorable Angels, of all Saints, and of all pious people. For by so much more frequently as they are seen in artistic representation, by so much more readily are people lifted up to the memory of their prototypes, and to a longing after them; and to these should be given due salutation and honorable reverence, but not, indeed, that true worship of faith which pertains alone to the Divine Nature; but to these, as to the figure of the precious and life-giving Cross and to the Book of the Gospel and to the other holy objects, incense and lights may be offered according to ancient pious customs.”

Theodore the Studite, AD 800
“Raise your eyes, look around, and see everywhere under heaven, throughout the sacred [Christian] edifices and the holy monuments in them, these images depicted and necessarily venerated in the places where they are depicted. Even if there were no dogmatic reason nor voice of the inspired Fathers to uphold the erection and veneration of icons, the prevailing ancient Tradition would be sufficient for confirmation of the truth. Who can presume to oppose this Tradition? By his opposition he falls away far from God and the sheepfold of Christ, because he thinks [in a manner] like the Manicheans and Valentinians, who babbled heretically that God had only ‘seemed’ to dwell upon those on earth in appearance and fantasy.” (On the Holy Icons)

Online Dictionary & Commentary of Early Church Beliefs